石渠寶笈初編(養心殿),上冊,頁653&*故宮書畫錄(卷五),第三冊,頁342&*故宮書畫圖錄,第六冊,頁353-354&*1.江兆申,〈唐寅松溪獨釣圖 軸〉,收入國立故宮博物院編,《吳派畫九十年展》(臺北:國立故宮博物院,1975年初版,1976年再版,1981年三版),頁301。 &* 隔岸長松,松葉圓挺,已與溪山漁隱卷甚為近似。而溪山漁隱卷畫風當已過四十。此幀用薄宣紙,膠礬不重,故墨色較濃而筆多滯隔,畫人物亦涉意草率,成畫時期,疑在三十六歲。&*1505 T’ang Yin Fishing Alone by the Pine Stream A tall pine rises in front of a cliff; the pine needles are rendered with round, straight strokes, very similar to those in the handscroll “Fishing among Streams and Mountains”. However, the style of the latter painting suggests that it was painted when T’ang Yin was over 40. “Fishing Alone by the Pine Stream” was painted on thin absorbent paper with slight sizing. Thus the ink and colors are thick, and the brush seems to have been moved fairly slowly. The treatment of the figure is loose and sketchy. The painting was probably done when T’ang Yin was 35 years old.